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PUNTO ASSISI
Collected and charted by
Alida Becchetti, text by Silvana Toppetti
While
the introduction to this marvelous collection of traditional
Assisi patterns is in Italian, the majority of the book
consists of the patterns themselves: wonderful patterns lost
in time, which I've never seen reproduced elsewhere. I found
the book in a small bookshop in Assisi (Umbria, Italy) last
summer, and was finally able to track down the publisher and
have it imported. Softbound, 79 pages, $29.00
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Traditional Needlework in
Miniature
by Annelle Ferguson
This book tells the story of the needle arts with
lush illustrations of miniaturized designs. Top miniaturist
needleworks contributed 54 projects you can make and use
authentically in settings spanning seven centuries. Hard
bound, 200 pages, 54 patterns, 198 color, 31 illustrations,
$35.00
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RICAMI
D'ASSISI 2:
A collection of traditional
Assisi embroidery motifs,
with color schemes
Taken from actual historic
patterns dating back before
the 16th century, this full
color book contains a
diverse and fascinating
collection of patterns,
including borders,
mythological motifs, floral,
avian, animal and geometric
charts, and stitch diagrams
for proper execution of the
technique. The text, which
is minimal, is in Italian,
but the patterns and
diagrams are
self-explanatory. Paper, 51
pages, $20.00
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Repertoire des Motifs
by Valerie
Lejeune
This
edition consists entirely of
charted motifs taken from
early samplers (over 1200),
including birds, animals,
flowers, people, household
objects, religious motifs
and angels, as well as six
separate and entire charted
sampler. The text is in
French. Paper, 224 pages
plus six separate fold-out
sampler graphs, $70.00
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A
SCHOLE-HOUSE
FOR THE NEEDLE
First published
by Richard Shorleyker in 1632, this edition
has been produced directly from the original
1632 book, now in the private collection of
John and Elizabeth Mason. John Mason bought
the edition at a rummage sale in England in
the 1940's, paying a few pence for it, and
being unaware of its significance. Through
her pursuit of lacemaking, Elizabeth Mason
became acquainted with another extant
edition in the Bodleian Library in Oxford,
dated 1624, but lacking some of the pages
that her edition still contained. Pattern
books such as this were essentially working
tools for the embroiderer. The designs were
copied from them by pricking and pouncing,
which involves poking tiny holes through the
outline of the printed design, then forcing
fine powder through the holes to leave the
impression on the fabric to be embroidered.
As a result, very few original pattern books
have survived, so the discovery and
publication of this book is of great
significance to the study of historic
needlework. It includes over 60
illustrations of lace and embroidery
patterns from the sixteenth and early
seventeenth century, with an historical
background by Santina Levey. Softbound, 62
pages $55.00
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Virtue Leads
& Grace Reveals: Embroideries and
Education in Antebellum South
Carolina
by
Curious Works Press, in
conjunction with the exhibit of
the same name, at the Museum of
York County, in Rock Hill, SC
America's
southern females have been
practicing their handwork skills
since their foremothers set down
roots in the British colonies. The
most recent research on southern
embroidery is presented in this
new exhibit catalog, written by
curator Patricia Veasey, with an
essay by Jaime Robinson. Its focus
is schoolgirl samplers from the
upstate Carolinas, made from the
late 18th century to the mid-Civil
War era. The stories of these
samplers are intertwined with
stories of migration, religion,
trade, socio-economic status,
family ties, prescribed roles for
southern women, and slavery. These
compelling narratives counter
existing stereotypes of the
activities of southern women, and
the embroideries themselves
illuminate previously unheralded
contributions of young southern
needleworkers. Paper, 56 pages, 39
color plates, $20.00
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Sampler Motifs and
Symbolism
by Patricia Andrle and
Lesley Rudnicki
This
book supplies a
dictionary of the
symbolic meanings
behind old sampler
motifs and the
reproduction of a
Scottish sampler, plus
four "new" traditional
samplers (nb: with
motifs taken from
samplers reproduced by
The Scarlet Letter for
The Fitzwilliam
Museum, although this
is not noted in the
credits) with complete
graphs and
instructions.
Hardbound, 96 pages,
$35.00
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Ayrshire and Other
Whitework
by Margaret Swain
For
a generation or more,
white on white
embroidery, a symbol
of purity and
elegance, once so
desirable, has been
neglected by
needlewoman and
collector alike. The
growing importance of
antique costume, in
the saleroom and among
serious students of
textiles, has aroused
interest in the
embroidered white
accessories that were
an indispensable part
of the whole ensemble.
This book gives a
concise summary of the
various techniques and
gives a readable and
authoritative account
of such diverse types
as Dresden work,
tamboured muslin,
Ayrshire embroidery,
Mountmellick and
Richelieu work,
broderie anglaise,
quilting and
stringwork. A useful
section shows how to
identify machine
embroidery and Indian
whitework.
Paper, 32 pages,
$10.00
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Creative Sampler
Embroidery
by Caroline Vincent
Creative Sampler
Embroidery takes a
fresh approach to this
traditional art. Using
stitches and colors,
it is full of ideas
for capturing today’s
world with a sampler,
still using age-old
designs but
interpreting them with
beautiful images and
new techniques.
Topics covered
include: · Stitches –
the samplers are based
around the favored
cross-stitch, but
other stitches are
suggested to give
embroideries a rich
texture. · Color – the
mixing and blending of
colors to create a
wide range of effects
and a harmonious
design. · Designs – a
great variety of
motifs are included
from Suffolk sheep to
sunflower, country
house to cornstalk. ·
Composition – five
larger projects are
included. · Step-by-by
instructions are given
with threads to use on
both Aida and
Evenweave cloth.
Hardbound, 128
pages, fully
illustrated with 210
color photographs and
82 easy-to-follow
graphs. $40.00
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Alphabets From Early
Samplers
by
Marsha Van Valin
This
book features 64
different charted
alphabets taken from
antique samplers
dating from the late
16th to the mid 19th
century. It is an
invaluable reference
for designers as well
as casual
needleworkers looking
for distinctive, and
historically correct
period lettering
styles. The text
includes historically
appropriate color
recommendations, with
DMC cotton and au ver
a soie Soie d'Alger
silk numbers provided,
as well as background
on the evolution of
lettering styles.
Alphabetical and
numerical sequences
from the earliest band
samplers, to elaborate
Scottish illuminated
lettering, to the
austere Roman style
Quaker letters, are
featured. Softbound,
40 pages, $16.00
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Textiles
at Sulgrave
Sulgrave Manor, located near Banbury in
Oxfordshire, England, is the home of
George Washington's ancestors.
In 1539, Lawrence Washington purchased
the land from Henry VIII and built the
house which was to be his family's home
for more than a century.
Sulgrave Manor's collection of textiles and embroideries includes items of
costume, of furnishing and decoration,
ranging from the 17th to the 21st
century, illustrating a variety of
techniques including sampler making,
canvas work, stumpwork, quilting,
weaving, and surface embroideries.
All profits from the sales of this book
are directed to textile refurbishment at
Sulgrave Manor.
Paper, 32 pages, full color, $16.00
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Diligence, Industry and Virtue: Samplers
and Historic Embroideries

This newest 2002
exhibition catalog from Witney Antiques
in England chronicles 300 years of
samplermaking. It leads us away from the
usual perception of samplers as merely
decorative art. Many verses on samplers
reflect the perceived feminine ideal,
illustrating the traditional values and
virtues taught from early childhood to
young womanhood. The exhibition runs
from October 14th until November 2nd.
The earliest examples date from the 17th
century, a journey ending over 100 years
ago. All the samplers are unique, and
the fact that often very young children
were able to produce such painstaking
and exacting work is indeed remarkable.
50 full color illustrations, paper,
$25.00
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TUDOR
TREASURES TO EMBROIDER
by Pamela Warner
Over 500 years ago, great wealth
combined with an explosion of artistic
creativity to produce England's first
truly indigenous fabric designs. Today,
the Tudor style continues to inspire
fashion wherever people desire elegance
along with practicality. Your own
personal accessories and home decor can
incorporate elements of Tudor style with
the eleven basic projects included in
this book: from floral silk cushion
covers, a band sampler, linen place mats
and coasters, embroidered and beaded box
lids, to beaded evening bags.
Beautifully photographed finished
projects combine with illustrated stitch
diagrams and instructions to lead you
through each step to a finished work.
Paper, full color, 192 pages, $18.00
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PERIOD PASTIMES: A Practical Guide to
Four Centuries of Decorative Crafts
by Felice
Hodges.
This
is an intriguing examination of four hundred years of
domestic industry with practical instruction in how to make
traditional heirlooms: finely painted chairs, stump works,
samplers, delicate paper filigree pictures, striking
silhouette greeting cards, brightly colored rugs, trays
decorated with pressed leaves and flowers, beadwork boxes,
and much more. Each craft is set in its period context, with
vivid, meticulously researched and often amusing
descriptions of the characters who made them. The book
includes wonderful color photos of antique needleworks. This
book is out of print, but we have NINE copies available.
Hardbound, 189 pages, $35.00
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